without ♭ at the key). He links it to the northern school, and mentions Tausig, Busoni and Stokowki as influencing its trajectory. [67] In the 21st century, several recordings of BWV 565 became available online, such as a recording included in James Kibbie's Bach Organ Works project. Registration utilisée pour la toccata du fichier audio : Das wahre Leben des Johann Sebastian Bach, International Music Score Library Project, Pirates des Caraïbes : Le Secret du coffre maudit, Mount and Blade: Warband: Napoleonic Wars, Phoenix Wright: Ace Attorney - Justice for All. He sees it as a youth work, composed before 1708, that with its underdeveloped fugue is stylistically eclectic but unified without breaking continuity. [60] US record companies seemed faster in putting BWV 565 forward as Bach's best known organ piece. [115] It is used "without irony and in an apocalyptic spirit updated from its earlier Gothic implications" at the beginning and end of the 1975 dystopian science fiction film Rollerball. It was that piece, BWV 538, that received the "Dorian" nickname, that qualifier being effectively used to distinguish it from BWV 565. It is most probably … In a 1928 concert program, Schweitzer indicated BWV 565 as one of Bach's "best known" compositions, considering it to be a youth work. For BWV 565 that means staying close to the Ringk manuscript. Johann Pachelbel). [52], The work was first recorded (in abridged form as "Toccata and Finale") by John J. McClellan on the Salt Lake Tabernacle organ in Salt Lake City in late August or early September 1910 by the Columbia Graphophone Company, who released it in the U.S. in 1911 on Columbia 10-inch disc A945 and in the U.K. on Columbia-Rena disc 1704,[53] which is one of the first commercial pipe organ recordings. In this sense, in Ringk's manuscript, the piece is written down in D Dorian mode. Bach also transcribed the Fugue movement of Sonata in G minor for solo violin, BWV 1001, as the second half of Prelude and Fugue in D minor for organ, BWV 539. It is one of the most famous works in the organ repertoire. [143] Other biographers and scholars have left these attribution and prior version theories unmentioned,[95] or explained the atypical characteristics of the composition by indicating it was a very early composition by Bach, probably written during his stay in Arnstadt (1703–1706).[96]. [27], In 1995, Rolf-Dietrich Claus decided against the authenticity of BWV 565, mainly based on the stylistic characteristics of the piece. [45] In 1912, BWV 565 was published in the second volume, containing works of Bach's "first master period". [22][154], Recordings of BWV 565 that have appeared on popular music charts include Sky's 1980 rock-inspired recording (#83 on Billboard Hot 100, #5 on UK Singles Chart)[155] and Vanessa-Mae's 1996 violin recording (#24 on the Billboard charts). Jeremy Barham (Fall-Winter 2008). However, in Ringk's manuscript the staves have no ♭ symbol at the key (which would be the usual way to write down a piece in D minor). [104][105][25][106], In 1947, Eugene Ormandy recorded his orchestration of the piece with the Philadelphia Orchestra. [14] It has been called "entirely a thing of virtuosity"[30] yet also described as being "not so difficult as it sounds". [34][88] In Reginald Lane Poole's 1882 biography, the work is again merely listed. #. [21] It has been described as some sort of program music depicting a storm,[30] but also as abstract music, quite the opposite of program music depicting a storm. ", pp. He assumed the work was written in the first year of Bach's second Weimar period (1708–1717). [86] In Karl Hermann Bitter's 1865 Bach-biography, BWV 565 is only listed in an appendix. [93], In the 1979 first volume of his Bach biography, Alberto Basso calls BWV 565 "famosissimo" (most famous) and "celebratissima" (most celebrated), maintaining that the popularity of these works hinges entirely on this composition. La dernière modification de cette page a été faite le 5 juin 2020 à 21:34. In the mid-1990s, Fred Mills, then trumpet player for Canadian Brass, created an adaptation for brass quintet that became a worldwide standard for brass ensembles.[160][161]. Hilgenfeldt considers the Toccata and Fugue in F major the most accomplished of Bach's toccatas for organ. The first section of the piece, the Toccata, takes somewhat less than a third of the total performance time. In the meantime, Williams had written a 1981 article on the authenticity of BWV 565, followed by numerous publications by other scholars on the same topic. The composition has stylistic characteristics from both schools: the stylus phantasticus,[12] and other north German characteristics are most apparent. 193–211 in Stauffer/May 1986. The Toccata and Fugue in D minor, BWV 565, is a piece of organ music written, according to its oldest extant sources, by Johann Sebastian Bach. [13][14] However, the numerous recitative stretches are rarely found in the works of northern composers and may have been inspired by Johann Heinrich Buttstett,[10] a pupil of Pachelbel, whose few surviving free works, particularly his Prelude and Capriccio in D minor, exhibit similar features.