The folks at Shure really know how to package a microphone to make one drool with anticipation. © 2020 MIX is part of Future plc, an international media group and leading digital publisher. Designed for studio use but rugged enough for live applications, the KSM32 has a permanentlybiased --inch diaphragm, extremely low self-noise, and an3/4 extended frequency response specially tailored for vocal … The KSM32 captured the bass in all its glory, reminding me of the day I first heard the album Soma Holiday by Proletariat. If you get close to them, they're really loud. There's nothing better. The mic was placed at the end of a 100-foot, cement-and-drywall hallway that connects my studio to the outside world. There will be more dependence on the sound person for balance and tone. What's your experience with this technique in live applications?CM: Close miking may be better in a situation where you need a lot of gain before feedback. A bit of distortion reared its ugly head, but the mic held up well with and without the pad. When all three of them sing vocals, the one with the loudest voice backs away from the mic (usually a KSM32). Shure's manufacturing is affordable and durable "working class" musicians. It reproduces a natural sound of the original source. You can spread the band out a little bit – that always helps with close-miking. While the techniques vary – there's no real formula. And if that weren’t enough, each member of the Twins walked closer to the mic during the course of the recording, plink-a-plinks a-plinking away. All you're trying to do is translate what's on the stage. Once it’s seated, the base rotates freely with the mic, which makes positioning an absolute breeze. Visit our corporate site. It also using phantom power. Testing the KSM32 mic on female and male vocals, I found the male voice to be rich, present and well-rounded in all frequencies, basically a “snapshot” of the live voice. I may even go so far as to say this is the only mic you need to record drums. Davida Rochman | If you're going for a natural sound the sound person must know what the instruments actually sound like before miking them.DR: What mics do you typically use?LB:  Ninety percent of my job at the Ryman is to assist the visiting engineer since most bands bring in their own crew, consoles and gear. A Shure associate since 1979, Davida Rochman graduated with a degree in Speech Communications and never imagined that her first post-college job would result in a lifelong career that had her marketing microphones rather than speaking into them. One last experiment I tried was to test the focus of the mic in an extreme ambient setting. When all three of them sing vocals, the one with the loudest voice backs away from the mic (usually a KSM32). Offer suggestions on anything else that might be helpful. The KSM32 is a single-pattern, cardioid condenser mic with transformerless preamp circuitry. Lo and behold, with all the racket that tape deck was making, the plink-a-plinks could still be discerned beautifully. (No banjo jokes, please!) I also tried the KSM32 on electric bass. Published: 02/01/1999. It's the most beautiful thing you'll ever hear.But go outside in a shed or amphitheater and it's a different story. If you are wanting to use this mic in your recording interface or PA, you better have some phantom power. On vocals however, I would normally gravitate towards the 4050 (for a fairly natural, but dark sound) or towards the KSM44 for a bigger more extended airy type sound. You don't need to overpower it – everyone just needs to hear it. Frequency response is 20 to 20k Hz. KSM32, Large diaphragm condenser microphone from Shure. The stage area might have a vinyl backdrop and you start picking up all the crowd noise and the ambient noise. There are always going to be compromises that a sound person and the band must make.LB: Don't be afraid to offer suggestions to younger bands in order to achieve great sound. In this application I was most impressed; the KSM32 gave the bass a well-defined low end yet retained the snappy high end necessary to assist the instrument in the fight for air space in the final mix. It is a large electrostatic membrane, so we can put it anywhere. That album was recorded by Jimmy Dufour and Lou Giordano, and has always been a personal reference point for great bass sound. Only time will tell if the diaphragm will hold up to repeated punishment. maximum body diameter, 187 mm (7.37 in.) The elastic-suspension shock mount is fantastic. Whether you believe bluegrass was born in 1939 with Bill Monroe and the Blue Grass Boys at the Grand Ole Opry stage in 1939 or in 1945 when the legendary Earl Scruggs joined the band, one thing's for certain: bluegrass music is here to stay and it's more popular than ever.Blending elements of fiddle tunes and ballads brought over by settlers in the 17th century with folk, gospel and blues, bluegrass music has gone global. When I set out to buy a really good large condenser mic for my home studio, I actually hadn't even considered this mic. The female voice was also well-rounded, with a high-end sparkle that is a signature of female vocals in the mid to high register. 55.9 mm (2.20 in.) Plus, you can’t strip the shock-mount threads by turning it too much, so you can let your caffeine-crazed apprentice play with this toy. This is because of its very respectable specifications. Today, Davida is a Corporate Public Relations Manager, responsible for public relations activities, sponsorships, and donation programs that intersect with Shure at the corporate and industry level. November 19, 2020, Gemma Stenberg | With AKUS, we used everything from SM86 to KSM9 for vocals, but found we were picking up too much ambient noise, so we switched to BETA 58A®. This provides the modern equivalent! live performance (later rebranded as the documentary film "Down from the Mountain") where we used vintage mics in this way. It smoothes out the sound of the banjo and has the percussive sound of the instrument without any of the tinniness that you can sometimes get. During this extreme torture, the distortion is there, but the capsule doesn’t bottom out. One of the greatest shows we did was an "O Brother, Where Art Thou?" Testing the KSM32 mic on female and male vocals… This mic looks good! Any tips?LB: This technique is not for the novice or faint of heart. The KSM32 has the typical condenser frequency response range from 20 Hz to 20,000 Hz, and Shure makes it abundantly clear that there is a slight presence peak at 7,000 Hz in the high midrange and at 10,000 Hz at the low high end. If your bluegrass band is performing in a band shell at an amusement park – and I've had this experience – you can pick up the sound of the roller coaster, generators, and all of that stuff.DR: Condensers seem to be the go-to type for this application. The Shure KSM32 is a large diaphragm condenser microphone that's for use in the studio or for broadcast purposes. ... We generally use a KSM32 …